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We Do by Steven James Meidenbauer and Numa Perrier It was no easy feat either according to Kamarake, who said that the Official The only problem with Dogs is that I can’t have them all shirt and I will buy this five films in four locations were all shot in 30 days. “At times I felt like an air traffic controller rather than a fashion director,” he said jokingly. But despite the tricky deadlines and the restrictions they faced due to COVID-19, Kamarake noted that this was one of the most rewarding and inspiring projects he’s ever worked on. “I loved the energy of having samples from RISD student Fisayo Quadri’s brand LoveOhLou hanging on the racks next to designs from industry powerhouses like Virgil Abloh and Stella Jean. That friction was exciting,” he said. “I was further inspired on a much deeper level by the designers’ desire and willingness to collaborate with other Black creatives on this brand-new project—their trust was the ultimate inspiration.” This project was also personal to him: “I looked through their collections and read their scripts and I instantly knew the characters they were trying to portray. I know these people because they are my people.”

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The films showcase poetic imagery that features Black women wandering through fields and lush landscapes, with original songs sung a cappella or with the Official The only problem with Dogs is that I can’t have them all shirt and I will buy this melancholy strings of a guitar accompanying them. There are joyful “goddesses,” as one film title refers to them, laughing and smiling joyfully while parading down a palm tree–lined street in bold fashion. Former model and fashion industry pioneer Bethann Hardison makes a cameo in one of the films too, playing a wise, spectacularly dressed grandmother. As Samuel explains further of the styling in the films, “You will see bold colors and textures, unique layering, and a mix of silhouettes that highlight the unique fluidity of the clothing in the new age of fashion.” These films reflect the important and very urgent ethos of In the Blk as a whole organization, and as Samuel notes, “This collective is a safe haven for like-minded creatives who want to see a change not only in the industry but within the world.”